Bones - Season 8, Episode 18 (Review)

The Survivor in the Soap
Episode Summary
Saroyan and Viziri are planning to knock off for a romantic dinner together when an FBI agent brings in a barrel found at a hazardous waste disposal facility.  When he cracks the lid, a skeletonized arm comes into view.  Booth and Brennan, who are at home having dinner and arguing about where to take a vacation, get the call and come in to work on the body in the barrel.

From the distance between the lunate and the third distal phalanx, Brennan guesses that the victim was male. Hodgins estimates from the state of the remains and the solid soap forming on the skeleton that time of death was at least 36 to 48 hours before.  Once the chunk of soap-skeleton is out of the barrel, Viziri examines the skull and finds a broad nasal aperture with rounded nasal sill in addition to a protruding mandible, which suggests African ancestry.  Brennan comments that the shape of the skull is more specifically West African.  Based on the lack of osteoarthritis osteophytes, Viziri and Brennan estimate the man's age at death between 20 and 30 years.  Unspecified lesions Viziri notices on xrays of the skull are diagnosed by Brennan as indicative of yaws, a treponemal infection common in sub-Saharan Africa.  From those brief descriptors, Angela gets a hit in the missing person's database, as Symchay Conteh was the only young West African man to go missing in the last few days.  He was reported missing by someone claiming to be Alvin James, who sounds like he was calling from a gas station.

Sweets and Booth visit Symchay's apartment, where the janitor, also from Sierra Leone, lets them in.  There are no photos of Symchay's life as a kid -- no pictures of parents, friends, or himself prior to age 18.  His bed is made, but the couch isn't.  Booth suspects he was letting someone stay on his couch, and there are taxi cab logs that confirm someone else was in the apartment.  Booth talks to Alex Radziwill from the State Department.  Alex tells him that Symchay migrated from Sierra Leone to Guinea and applied for refugee status there as a young teen.  Shortly thereafter, he immigrated to the US and applied for asylum at age 14.  He was granted it, and became a US citizen five years later.  Although Symchay had lots of part-time jobs, he worked regularly for Wilford Hamilton, an immigration lawyer, helping newly arrived refugees get on their feet and find jobs and apartments.  Hamilton puts them on the trail of Breema Cheloba, who was deported back to Sierra Leone two years prior for almost killing a man in a street fight.  Cheloba is back in the US illegally, but neither Hamilton nor Symchay turned him in.  Fingerprints at Symchay's apartment confirm that Cheloba was the one staying on the couch.

Viziri tries to figure out cause of death, but the old injuries to Symchay's skeleton make that difficult.  Viziri finds at least eight healed antemortem injuries, such as fractures to the tibia, clavicle, and mandible dating to childhood.  Bone deformation in the knees, vertebrae, and feet suggests he had to carry heavy loads while barefoot.  Brennan notices asymmetry in the shoulder joint; in Darfur, she saw this injury in child soldiers forced to carry and shoot AK-47s.

A check Symchay received before his death leads Booth and Brennan to an art gallery, where Kimberly Singer is exhibiting photographs she took as a war photographer in Sierra Leone nearly two decades ago.  She met Symchay once, when she was hiring him to cater her gallery opening, as Symchay was trained as a chef.  He broke down upon seeing a photograph in the exhibit, though, and she didn't see him after that. Brennan notices a boy in a photo and, based on the shape of the skull, the anterior nasal spine, and the mandible, the child is Symchay himself.  Singer is astounded by this news. Although she has potassium hydroxide in her studio to develop photographs, she denies using it to attempt to cover up Symchay's murder.

Back at the Jeffersonian, Viziri has found cause of death: a linear cut to the right clavicle with adjacent fracturing on both the right and left sides of the cut.  Someone must have employed a stab-and-cut motion to kill Symchay, the kind you'd use with a bayonet.  Angela has compared the 911 missing person's call with taxi dispatch calls and finds a match: they think the driver of the cab and the called-in tip were both Breema Cheloba.  Booth tracks down Cheloba, who is using a friend's cab to make money because he is in the country illegally, but Cheloba insists that Symchay was his friend, and he called him in as missing because he was worried.  Cheloba talks about his amputated hand: he was asked to kill his teacher; when he refused, the rebels killed her, then cut off his hand to teach him a lesson.  Viziri realizes that Cheloba couldn't have killed Symchay because the motions necessary to create the bone injuries couldn't have been done by a one-handed man.  When Hodgins reports that the wound to Symchay's clavicle included chrome-plated steel and potassium chloride, commonly found on AK-47s, Viziri gets upset and accuses Hodgins of doing a bad job.  It's impossible to slice the clavicle with the barrel of an AK-47.  Saroyan reprimands Viziri, who later admits that, during the first Persian Gulf War, one of his cousins was forced to become a child soldier and was killed, so the case was hitting close to home for him.

After a late-night brainstorming session Chez Booth&Brennan, the two of them and Cheloba head back to Singer's gallery exhibit.  Cheloba hasn't seen the pictures, but Symchay had been aware of the photograph of himself; it was published a few years prior.  What Cheloba notices, however, is a photo of Joseph Embarga, who recruited thousands of child soldiers and was eventually indicted on dozens of war crimes.  Booth takes a closer look and realizes that Embarga is the janitor who let him into Symchay's apartment.  At the FBI, Booth questions Embarga, who insists he is Tony Dennis, in the US legally.  He was never fingerprinted, and any DNA evidence from Sierra Leone was destroyed in the revolution.  Embarga knows that Booth has no physical evidence on him.  But Booth keeps Embarga talking so that he can have Angela do a voice-match between a previous recording of Embarga and his FBI questioning, to prove it's him and to have him extradited to The Hague to stand trial for war crimes.

Viziri and Brennan finally find the missing piece of the puzzle: a second stab wound to the victim's atlas.  They think Symchay was stabbed with a double-pronged weapon made of chrome-plated steel.  Brennan realizes that Wilfred Hamilton has an African tribal mask on the wall of his office, likely made out of a reclaimed AK-47.  She, Booth, and Alex storm Hamilton's office, and a blacklight reveals blood on the mask, which Brennan suggests will prove to be Hamilton's and Symchay's; reflective infrared spectrosopy will verify that the blood was deposited at the same time.  In essence, Symchay realized that his janitor was a wanted war criminal.  Rather than confronting Embarga, he confided in Hamilton.  However, Hamilton killed Symchay and blackmailed Embarga so that he could afford to keep his refugee center up and running.

  • Forensic
    • Distance between the wrist and finger I suppose could suggest male, since men tend to have larger hands than women, but there's a ton of overlap in this (as with, say, femoral head diameter).
    • At least the nasal aperture, nasal sill, and mandibular prognathism do suggest someone of African ancestry.  The "this skull looks West African" part was crap, though.  (Still wish forensics would stop using the rather offensive and historically-loaded terms Negroid and Mongoloid.  The rest of anthropology has done away with them, and there are better terms we can use in forenics.)
    • If Symchay was a child soldier, prone to carrying heavy loads, why wouldn't he have osteophytes suggestive of arthritis?  Too convenient a way to estimate age at death; and, with the skull definitely present, fusion of the sphenooccipital synchondrosis would be more useful.  Also, "osteoarthritis osteophytes" doesn't make much sense.  We do see osteophytes in osteoarthritis, but just the presence of osteophytes doesn't necessarily mean a diagnosis of osteoarthritis.
    • So, with yaws, about 10% of people suffer destructive bone lesions, but that's generally after having it for 5-10 years.  It's possible that Symchay had yaws that long, since it tends to be a chronic condition.  But the bone lesions from yaws are usually destructive joint lesions or destruction of the nasal aperture (similar to leprosy), as well as changes to the tibia.  It wasn't clear what Brennan was referring to on the skull xray, and it wasn't clear why she looked at the zygomatics to conclude evidence of yaws.
    • Brennan's looking at a photo of a 7-year-old and realizing it was 24-year-old Symchay as a kid was total BS.  There is no way she can age-progress a photograph in her head, much less come up with a specific person.
    • The IR spectroscopy idea seems plausible, but I don't know if it really works; anyone?
  • Plot
    • Places Brennan is considering for a vacation: Yangon (Rangoon, where my mother-in-law is actually visiting right now), Paris, and the Gulf of Thailand for, respectively, mass graves, catacombs, and mass graves.  Fun places to take your 1-year-old.  Definitely.  (I do have to admit to vacationing in Paris primarily to see the catacombs, though.  They are indeed impressive.  But I wouldn't take a toddler.)
    • Who's in charge of Christine when Brennan and Booth both bolt from dinner to check on the skeleton in the barrel?  Sweets?  (Hey, Sweets is still living with them.)
    • Seems kind of convenient that all the Sierra Leoneans we meet happen to be in Singer's pictures and happen to have been from the exact same part of Sierra Leone.
    • Speaking of... how did a war criminal get into the US?
  • Dialogue
    • "A 2002 London urology study showed no correlation between the size of a man's penis and the size of his feet." -- Brennan (It's true.  Here's the PubMed citation.)
    • "You're the intern.  I'm the one with 'doctor' in front of my name." -- Hodgins, being a dick
Forensic Mystery - A.  Even though the body was ID'ed quickly, the mystery of who killed Symchay and how was good; it was prolonged for almost the entire episode without feeling overly drawn out.  The team picked up on clues and followed them, arriving at the answer after a couple red herrings.

Forensic Solution - B+.  Generally good forensic work in this episode, but I didn't like the simplicity with which some of the analysis was handled (e.g., age-at-death, differentials for injuries).

Drama - A.  This was a good episode of television.  The forensic plot moved along nicely, the victim's back story was amazingly compelling, and Viziri was empathetic about the case.  I could quibble about how Viziri is always brought in to satisfy the writers' seeming need for an "ethnic" intern to react to a case, but I like Viziri as a character, and he's easy on the eyes to boot.


Madhatter360 said…
I liked how Brennan questioned it when Booth identified that the adult war criminal in the picture was the janitor he met after stating with confidence that a child in a photograph was the adult victim.

In all seriousness though, I like that they brought back the same State Department official from that one season 2 episode.
Rebecka said…
I didn't think they'd bring Christine with them to the mass graves / bar with booze. as I understood Booth he wanted a romantic vacation away, sans child. I just assumed they'd get someone to babysit for a week. Like Brennan's dad.

also, what are the correct terms for ancestry nowadays if I may ask?
I study historical osteology so I only really deal with old Scandinavians, and I'm curious (and wouldn't want to say the wrong thing whenever I would need to discuss ancestry related to bones and such)

I'm almost feeling like giving up on this show, but a big part of me hanging on to it (apart from getting some exposure to bones while I trudge through archaeological theory and flint) is that I get to read your posts on the episodes. I just love it!
Wzrd1 said…
One question on how a war criminal getting into the US is germane to the real world today.
My unit was attacked by an IED in Iraq. We were unable to pursue the bomber, as we had to secure the scene, treat the survivors and retrieve parts of the deceased.
We had four men killed.
The bomber was eventually captured.
In Louisville, Kentucky, while attempting to purchase firearms and bombs to ship back to Iraq.
He remains in federal detention pending trial.
Rebecka - Forensic anthropologists are the only ones who use Caucasoid, Mongoloid (now a slur for a person with Down's Syndrome), and Negroid (which has a history of being appropriated for racism). But not all do; some advocate talking about "ancestry" instead (as I did up above, using "African ancestry" instead of "Negroid," which was used in the show).

The idea of biological races makes no sense to modern anthropology. Sure, we can create three basic categories in a Venn diagram and fit some of the world's population into them, but the vast majority of people in the world would fall in the intersections of the Venn diagram. Plus, just because someone has "Negroid" skeletal features doesn't mean that person had dark skin.

So instead we talk about "estimating ancestry." We talk about skeletal traits like the shape of the nose being "consistent with ancestry in Africa" or shovel-shaped incisors being "characteristic of populations of Asian or Native American descent." It's not as specific as classifying someone as white/black/Asian, but there's a good reason for that: most people can't be classified into those categories. In the US, this is particularly problematic with Hispanic people.

Forensic anthropologists don't have an easy job -- they have to translate skeletal indicators (a mixture of biology and environment) into a culturally-understandable category ("race") so that a positive ID can be made. But keeping the old, outdated terms for "race" gives the false impression of simplicity in estimating a person's ancestry from his or her skeleton, so I think it does forensic anthropology a disservice to continue to use the terms.
Rebecka said…
Thank you very much Kristina!
It's kind of what I thought then.

For me "race" is a problematic word really. In Swedish we don't use the direct translation ("ras") when talking about ancestry as has been done in English. It's more a word for talking about breeds, as in dogs or horses. Actually it was used decades ago, and with it came racial biology (hell, Sweden had the first institute in the world dedicated to such studies), so I suppose using race that way had such bad connotations after that, so that the application to humans has completely disappeared from the language (or rather, if talked about it's in discussions about the "wrong ways of he olden days")
Yup, well, Sweden is a lot more enlightened than the US is. Those of us in science know that "race" is a biological term (similar to breeds of dog) and that humans can't be organized along these lines. But the cultural idea of "race" -- namely, that we can use physical and skeletal traits to separate people into races, by which we can then discriminate against/on behalf of them -- still has a great deal of currency here due to dramatic socioeconomic inequalities among people of different ancestral backgrounds. The "melting pot" nature of the US is pretty awesome, but it also means a whole lot of us-versus-them side-taking, which is completely unfortunate. Hence, my need to teach undergraduates about anthropology. :)

I also don't use "race" in my own work, since it's on ancient Romans. We know a bit about how the Romans thought about different groups of people, but when they discriminated, it was largely based on social standing, not appearance. So they were even more enlightened than the US, where we use both social standing and appearance...
Anonymous said…
I love the series Bones to bits- it is consistent while remaining interesting, has great characters and the pacing is always perfect. On occasion there are some little things that I notice that bother me: things like Bones not knowing what a vacation is (the season 1 or 2 episode with Brennan's serious love interest and their 'boat' holiday comes to mind); and Brennan not recognizing the janitor based on the skull structure (but Booth somehow does). Other than these small things, that I feel sometimes caricatures Brennan's character a little too much, fantastic episode as usual.

Also, does anyone know what Brennan says in Creo in the end?

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