January 11, 2017

Bones - Season 12, Episode 2 (Review)

Here's a link to my review over at Forbes of:





January 5, 2017

Bones - Season 12, Episode 1 (Review)

Here's a link to my review over at Forbes of:

'Bones' Season 12, Episode 1 Review: 

The Hope in the Horror


Bones - Season 11, Episode 22 (Review)

Here's a link to my review over at Forbes of:

'Bones' Season 11, Episode 22 Review: 

The Nightmare in the Nightmare


Bones - Season 11, Episode 21 (Review)

Here's a link to my review over at Forbes of:

'Bones' Season 11, Episode 21 Review: 

The Jewel in the Crown


November 19, 2016

Bring Out Yer Dead - 2016 AAA Presentation

In case you don't happen to be at the American Anthropological Association meeting in Minneapolis this week, you can still catch my short talk on how everyone (yes, everyone) can help bring bioarchaeology into the public eye:





November 18, 2016

You guys, I got an *award* for this whole blogging thing!

Tonight at the American Anthropological Association conference, I received the New Directions Award from the General Anthropology Division. Per their website, which I saw early in the summer:
The GAD New Directions Award recognizes accomplishments of individuals or groups across diverse media and formats as forms of public anthropology. Common to these is the responsible presentation of anthropological information for a larger public beyond the academy as well as a demonstrated commitment to ethical considerations and methodological rigor.
President-elect of the GAD, Bob Myers, told me that I'd gotten the award because "Your energetic style and informative articles across several media and sites is the kind of public anthropology essential for presenting the discipline to a larger world."

Bob Myers giving me the award!

Faaaaancy! And with nice words on it!

They had a rotating slide show of the award winners, and I found
it endlessly hilarious that on this giant slide that says I won, there
is a big ol' pic of me mugging for the camera. Always.

No award would be complete without a list of thank-yous. In addition to the GAD folks, thanks go to Jennifer Raff for nominating me and saying such awesome things about my work.  And thanks to my editor at Forbes, Alex Knapp, for giving me this amazing international platform to begin with. Thanks to Carlina de la Cova for cheerleading for me at the ceremony and taking pictures. And last but definitely not least, thanks to all my readers here at PbO, as well as at Forbes and mental_floss. I'm glad you're all liking what I do, because I sure like doing it!

November 13, 2016

As an anthropologist, I can't move on.


My first time teaching anthropology was in 2002. Recently MA'ed, I took on a summer course teaching general anthropology at a local community college. My students were diverse in race, age, life stage, and socioeconomic background, and I was excited.

I taught the course typically -- four fields (bio, archaeo, cultural, and linguistics) -- with associated readings and an ethnography outside of the textbook. I chose Nisa: The Life and Words of a !Kung Woman by Marjorie Shostak. A classic, the work chronicles years in the life of a female member of a southern African hunter-gatherer tribe. It was a safe choice, I thought, and fit in well with the themes of the course. But during the class discussion, a 20-something white male, a guy who always had opinions about everything, offered simply: "Nisa is a whore. She has multiple partners. Leaves one guy for another. She's nothing but a dirty whore."

I mumbled something about cultural relativism, a concept we'd just gone over for a week, and... well, moved on. I moved on because I didn't know how to deal with his racist and misogynist comment in the context of fruitful discussion. I moved on because I saw my female students of color shift uncomfortably in their seats. I moved on because I was, honestly, a bit scared of him and his vitriol.

As a newly-minted PhD in early 2011, I taught general anthropology, this time at a large public university. Instead of a traditional ethnography, I assigned The Immortal Life of Henrietta Lacks. This was before other universities were assigning it as summer reading, in the days when it felt a bit subversive to choose it for class. Since many of my students were planning careers in the medical and allied health fields, I thought that book would be eye-opening: a commingling of culture, (lack of) privilege, race, class, and scientific advances.

And then in the discussion, the same thing happened. White male vitriol about how Lacks was a slut, how she should have rebuffed the "advances" of the family member who sexually assaulted her, how her family was trying to profit from her death. Again, I asked the students to think critically and empathically, to look at the larger structure (and structural violence) in which we were reading the book. But again, I moved on because I didn't know what else to do. Because I saw my female students shift uncomfortably in their seats. Because I was a bit scared of the 20-something male college students who clearly were physically larger and stronger than I.

And as a professor here in 2016, I teach biological anthropology to both undergraduate and graduate students who don't "believe" in evolution. Those students do not read as violent as the misogynists and racists, thankfully, but still tend to disrupt class. I tell them that it's not my job to reconcile their faith and science, and that the course requires them to know the correct answers to scientific questions. And I move on.

While I have been thinking about how to write an "anthropologists react to the election" post for Forbes, I haven't yet figured out how. The responses right now are still too disparate for me to see a thread -- that is, the archaeologists are doing one thing (like working to understand and make policy to safeguard sites) and the cultural folk are doing another (preparing to gather for the AAAs, where hopefully there will be some brainstorming). The bio folk haven't officially weighed in, and I don't know if there is a larger response from the linguists. But it's early yet.

Right now, we need not just committees that take weeks to get an official statement out, but a real push towards public outreach, the creation of free webinars on science policymaking and lobbying, and re-training of anthropologists like me so we can better teach all four fields and be activists in educating. Because I feel at least a little complicit in the creation of today's public -- in 14 years of teaching anthropology, I have not done my best to reach my students and have shied away from difficult conversations.

But I want to change and to confront these issues in class -- with the students who need to learn and, more importantly, for the students who need to see an ally.

I can't move on anymore.



For other anthropological takes that I've been reading this week, check out:



October 21, 2016

Creepy & Funny Skeletons - An illustrated poem by my 7-year-old

Frequently at bedtime, my 7-year-old, Cecilia, asks me to read her something I've written for Forbes. At first, I think she was just trying to extend bedtime by a few minutes, but now she asks a thoughtful question or two about the topic. I was reading her the "Medieval giantess" story yesterday, and we had this exchange:

C: "Mama, look at that number. Your story has a lot of views!"
Me: "I know. It's great because it means people are enjoying it."
C: "And Forbes has to pay you more money, right?"
Me: "That's true as well."
C: "Can I write something for Forbes? I want to earn money to buy more Legos!"

While on the one hand, I want my kids to learn legitimate skills and not become famous/rich because of being on the internet, on the other hand, I want to encourage her to write and to show her that writing is a skill that people can make money doing.  So, I made her a deal: if she wrote something for Powered by Osteons, I would give her the money from the ad revenue on the page.  She decided to write and illustrate a poem.  Without further ado...

Creepy and Funny Skeletons
by Cecilia R.

Skeletons give me quite a scare!

So enter the Halloween if you dare!

We skulls are very bare.

But we don't have any hair!

We skeletons aren't very rare.

Of course, they don't eat a pear!

Skeletons don't live near an oak.

They also don't drink coke!

The skeletons don't wear pants.

They definitely don't dance!

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